In my work I am investigating the off balanced and imbalanced states that one could always reach when painting or drawing. I like to explore and experiment.
During lockdown I started to use all kinds of photos and photocopies at different stages of my work and re-worked them as part of the final process.
I also use palette paper, mixing colours, directly on my canvas using acrylic painting, soft pastel and ink. The palette paper is a second skin and it becomes part of the painting.
The thick pinewood frames are made of burnt black kohl charcoal.
They are reminiscent of unrestored paintings in old dark churches.
During lockdown I started to use all kinds of photos and photocopies at different stages of my work and re-worked them as part of the final process.
I also use palette paper, mixing colours, directly on my canvas using acrylic painting, soft pastel and ink. The palette paper is a second skin and it becomes part of the painting.
The thick pinewood frames are made of burnt black kohl charcoal.
They are reminiscent of unrestored paintings in old dark churches.